Showing posts with label armor. Show all posts
Showing posts with label armor. Show all posts

Sunday, December 22, 2013

The Next Suit!

So after a great workshop with the Wire Working Magician Ellen Wieske, I have felt draw once more to work with steel wire! Bouncing off some rough sketches, I'm in pursuit of my next performance suit utilizing 12 gauge steel wire along with stretchable nylon fabric. I'm at the moment remaining very playful with the material and simply just having some fun as its about time I do so. 

This last semester out at COA, I have been working very tight and very focused on small scale detailed work, hinges especially (Thanks Tim, Bob and Ellen for the tips). It is a breath of fresh air to return to more large scale sculptural work and I'm excited to see where it will lead!

Recently, I was accepted into the 2013 SupBrooch Exhibition juried by Cortland Dewitt and Sharon Massey. Thank you both for providing this opportunity.... Actually, its about darn time an exhibit like this is up because you I'm all about a good man brooch! SO Total props!
http://one-wall-gallery.com/supbrooch/
And finally, I have also been accepted to the 2014 Hand Crafted Exhibition at Imperial Art Center in Rocky Mount, NC. The piece would be my previous suit which i have titled the Embossment Suit.
http://arts.imperialcentre.org/








  

Cheers to you all!

Tuesday, December 11, 2012

The GateKeeper Vs The Masquerade

The human body has been utilized in these works as a mode of exploring science fiction and personal myth. I create armors and masks that often adorn as well as obscure one’s true identity. In today’s hightech era, these physical metal objects relate to the creation of a digital face as seen in Facebook and other social networking media. Masks and armors are used in my work to fabricate and reengineer personal identity.  Industrial materials such as copper, brass, steel, and aluminum are utilized as physical adornment in addition to electrical components. By dawning the mask along with a persona, it becomes possible to indirectly provoke discomfort from the lack of true information about oneself. As the kinetic sculptor and jewelry artist Ira Sherman asks, “Are people recognizing the moral consequences of their technological achievements?”


Thank you Elaine Bezold for the excellent Photography! 


  








  

  


  



  

 


  









Pop Performance and Penland School of Crafts